InAn Injustice!byAlan CorleyFalling in Love with a 100 Year Old Gay Love StoryHow E.M. Forster’s “Maurice” Changed MeMar 26, 20211Mar 26, 20211
Alan CorleyThe Changing Concept of FolkloreFrom the 18th Century to Modern TimesAug 17, 2020Aug 17, 2020
Alan CorleyCharlotte Brooke: Mother of Modern Folklore StudiesIn the dedication page of Gods and Fighting Men, Lady Gregory writes: “We would not give up our own country — Ireland — if we were to get…Aug 14, 2020Aug 14, 2020
Alan CorleyDivision within the community and the self in the work of Yeats and HeaneyEver since the arrival of the first Norman knights in the 12th century, the island of Ireland has seen a substantial amount of conflict…Aug 21, 2020Aug 21, 2020
Alan CorleyLeavings, returns, and arrivals in contemporary Irish fiction.Leavings and returns occupy a large place within the Irish psyche, and by extension, creative works by Irish creators. As a country that…Aug 28, 2020Aug 28, 2020
Alan Corley“Dinosaurs on Other Planets” ReviewThe final paragraph of the titular story of this collection includes the following two sentences: “Putting down the bucket, she gazed up at…Aug 31, 2020Aug 31, 2020
Alan CorleyThe importance of space in the avant-garde theatre of Castellucci and CunninghamAvant-garde in its noun form refers to “an intelligentsia that develops new or experimental concepts especially in the arts.”¹ And…Sep 4, 2020Sep 4, 2020
Alan CorleyThe “Real” and the “Mythological” in Early Irish TheatreJohn Millington Synge once said that he did “not believe in the possibility of ‘a purely fantastic, unmodern, ideal, breezy, spring-dayish…Mar 8, 2021Mar 8, 2021
Alan CorleyQueer Issues through Camp: “Drag Queens on Trial” and “Paris is Burning”[Camp] is not a natural mode of sensibility, if there be any such. Indeed, the essence of Camp is its love of the unnatural: of artifice…Aug 12, 2020Aug 12, 2020