Monstrous Outsiders: Inequality and Prejudice in “The Munsters”
The American television landscape of the 1960s was one that had become increasingly white and WASPish. Though early shows showed some diversity, such as The Goldbergs, (NBC & CBS, 1949-1956) which featured the home life of a Jewish family and touched on topics such as experiences with assimilation while maintaining links to their roots, networks were focusing programming to appeal to WASP viewers, resulting in shows that reflected “white, middle-class and conservative” (Tredy)¹ America; this shift occurred during the expansion of television access across the country, leading networks to create content that would appeal to such an audience. Despite this trend, programming was dotted with shows that subverted expectations, such as the eccentric Dark Shadows (ABC, 1966–1971). One of these shows was The Munsters (CBS, 1964–1966), a series infused with subtext and commentary on both civil rights and diversity in America during the 1960s. We see this clearly very early on, in the third episode of the first season: A Walk on the Mild Side.
Culturally the 1960s was a decade of severe contrast. Despite its reputation as the decade of love it was also a decade of profound change…
